The Henry Gallery strives to be a cultural asset for Penn State Great Valley and the local community. The Henry Gallery’s exhibition program focuses on group shows of local and regional arts and artists and the community organizations that support and encourage their work.
The gallery opened in 2010 and is named for Joseph and Marilyn Henry who made a major gift to expand its facilities, art acquisitions, and programs in January 2013.
The Henry Art Gallery is located on the second floor of the Penn State Great Valley Conference Center and is open to the public Monday through Friday from 9:00 a.m. to 5:00 p.m. The Henry Art Gallery is closed on weekends and University holidays. Additionally, the Conference Center is occasionally rented out to private clients, which may result in temporary closures of the building to the public. To confirm gallery accessibility during your planned visit, please contact [email protected] or 610-648-3209.
Current Exhibit
Still Creating: The UArts Community Lives On
On display June 9 – October 1, 2026
A selection of works in the "Still Creating" exhibit
University of the Arts: Rest in Peace, by Daniel Rice
"Marshall" by Erik VanHorn
"Shattered IB" by Diane Pepe
"So Much More" by Robert Reinhardt
"Our Work is Far from Done" by Vicky Faye Aquino
In the wake of the unexpected closure of the University of the Arts (UArts) in 2024, the creative community was left with a deep sense of loss. "Still Creating: The UArts Community Lives On" emerges from a shared belief that art can preserve memory, honor resilience, and reconnect people across time and place.
Featuring work by former UArts students, faculty, staff, and alumni, this juried exhibition invites the community to witness the enduring spirit of UArts through the voices and visions of its artists. The Henry Art Gallery is honored to host a space where that spirit can continue to be seen, heard, and celebrated.
Upcoming Exhibit: Ways of Seeing, Ways of Being
On display Oct. 20 - Dec. 18
Opening reception and community gathering on Oct. 20, 5:30 - 8 p.m.
Presented by Penn State Great Valley and We Are the Seeds
Photo taken by Luca Agoyo (Ohkay Owingeh/Narragansett) included in a multigenerational photography exhibit that is part of "Ways of Seeing, Ways of Being" art exhibit
An opening exhibit reception and celebration will be held on Tuesday, Oct. 20, from 5:30 to 7 p.m. in the Henry Gallery, with a community gathering in the Musser Auditorium from 7 to 8 p.m. This event is free and open to the public, but pre-registration is required.
"Ways of Seeing, Ways of Being" is a multidisciplinary exhibition featuring historical ephemera, wearable arts, and contemporary photography. This Indigenous-led project explores how memory, storytelling, and perception shape our understanding of ourselves, others, and the world around us.
Featuring the work of four artists, the exhibition offers a layered narrative of Indigenous presence in the Philadelphia region, rooted in cultural continuity, family, and intergenerational knowledge. Together, these works invite visitors to reflect on how the stories we inherit and the ways we see the world shape who we are, influencing how we live and what we leave for those who follow.
Register for Ways of Seeing, BeingCurators/Lead Artists:
- Tchin (Narragansett) – Curator, Historical Postcard Collection
- Joy Tonepahhote (Kiowa) – Beadwork and Regalia Artist
- Tailinh Agoyo (Narragansett) – Photographer
- Luca Agoyo (Ohkay Owingeh/Narragansett) – Photographer & Playlist Curator
Historical Postcard Collection
Tchin presents a curated selection of original 19th and 20th century postcards depicting Native peoples. Through his lens as a culture bearer and historian, he contextualizes each image, unpacking the stereotypes, misrepresentations, and colonial narratives embedded in these materials. At the same time, the postcards sometimes hold deep meaning for Indigenous viewers, who may recognize community scenes from their own tribal histories. Seeing relatives or familiar aesthetics or homelands represented, even through the distorted lens of early postcard culture, creates a powerful connection across generations.
Tchin’s curation reveals the tension between how Indigenous peoples were portrayed and the realities of Indigenous life, inviting viewers to consider how imagery shapes cultural memory.
Beadwork and Regalia Exhibition
Joy Tonepahhote exhibits hand-beaded pieces, regalia, and culturally significant works that reflect her Kiowa ancestry. Her artistry is grounded in intergenerational knowledge, drawing from family teachings and community traditions that shape her approach to design, technique, and cultural stewardship. Each piece reflects the precision and intention of traditional beadwork while often expressing a contemporary aesthetic, demonstrating how these practices continue to evolve and thrive today.
Multigenerational Photography
In this photographic dialogue between mother and son, Tailinh and Luca Agoyo each offer a distinct yet interconnected perspective on memory, family, and the influences that shape individuals within their environments.
Through photography and writing, Tailinh's work investigates memory, family, and the narratives that are woven across generations. Luca's photography captures a younger generation's perspective, finding moments of wonder throughout Philadelphia's landscape.
Collectively, their work explores how the infinite beauty of the world around us, the practice of noticing, sitting with moments of awe, and cultivating connections with our human and non-human relatives influence our bodies, minds, and spirits.
